Monthly
GenAI Nights
The regular gathering. Creators show what they made this month, and the tools that made it.
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GenAI Club is the room for creators — filmmakers, content people, musicians, advertisers, designers and the fashion side of all of it. Not a tools demo. A craft community, where the work gets made, shown and argued about in public.
The club runs on a simple rule: you show the work. Every format below ends with creators putting something in front of a room rather than talking about what they might make.
The regular gathering. Creators show what they made this month, and the tools that made it.
The year's work in one room — screenings, exhibitions and the people behind them.
Training, mentorship and a finished film. The intro above is from this programme.
Generative video tools, a brief, and a cut you can screen by the end of the weekend.
Somebody who turns up to their first GenAI Night curious should be able to finish the year with a film, a credit and a room that knows their name. Every format below is a rung on the same ladder.
A GenAI Night is free and open. Watch what other people made this month and how they made it — the tools, the failures and the shot that took forty attempts.
Build-alongs and studio sessions with the studios in the room. You leave the session with a cut, not a set of notes about a cut.
The AI Filmmaking Incubation — structured training, a mentor, a brief and a deadline. This is where Egypt Eternal Voices takes its creators.
The AI Film Festival and the GenAI Festival. The year’s work in front of a jury and a public audience, with the prize going to the story rather than the software.
One night a month, one host studio or creator, and a room of people who actually make things. Night 01 is done; the rest of the season is programmed.
Magdi Moussa on what People of Data is building and where GenAI Club sits inside it. Interview by StartupScene.
Aziz Maraka
The first night. A working musician and creator on the craft behind the catalogue, and where generative tools sit inside a real production process.
ByBagh Studio
One of our AI studio partners opens its pipeline — how a brief becomes a generative sequence, and the parts of the job that are still stubbornly human.
Amy Mowafi (MO4) × Magdi Moussa
What generative production does to a media house: what gets faster, what gets cheaper, and what a brand should never hand to a model.
Faces Studios × Danny
Close-up on execution — direction, continuity, sound and the finishing work that separates a demo reel from something you would put on a screen.
A creative community needs backers who make things themselves. These are ours — the studios, the platforms, the institutions and the one Egyptologist who took a generative-AI programme seriously before anyone else did.
HelmAgentic AI
Egypt's best-known archaeologist backed a generative-AI storytelling programme at a point when most people still thought the two words did not belong in the same sentence. Egypt Eternal Voices runs with him, and the standard he sets on historical accuracy is the reason the films are worth making at all.
Membership is free and curated. The only real entry requirement is that you make things — or that you are about to start.
Not a slogan. A test we hold every programme to — if it only reaches Cairo, or only reaches people who already had a head start, we haven't done the work.
Get into the rooms where this actually happens — meetups, GenAI Nights, hackathons and the festival.
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